![]() Rock journalist Keith Altham has yet a third account, as Ed Vulliamy writes at The Guardian. “It must have been difficult for Eric to handle,” says Bruce, “because was ‘ God,’” and this unknown person comes along, and burns.” He puts it slightly differently at the top: “Eric was a guitar player. No one else who saw him felt any need to hold back. “It was amazing,” writes Clapton, “and it was musically great, too, not just pyrotechnics.” There’s no telling how Jimi might have remembered the event had he lived to write his memoirs, but he would have been pretty modest, as was his way. It scared me, because he was clearly going to be a huge star, and just as we are finding our own speed, here was the real thing.” Fear, envy, awe… all reasonable emotions when standing next to Jimi Hendrix as he tears through “Killin’ Floor” three times faster than anyone else played it (as you can see him play it in Stockholm above)-while doing the splits, lying on the floor, playing with his teeth and behind his head… “I remember thinking that here was a force to be reckoned with. Jimi got onstage, plugged into Bruce’s bass amp, and played a version of Howlin’ Wolf’s “Killin’ Floor.” Everyone was “completely gobsmacked,” Clapton writes in his autobiography. Mayall recalls, “the buzz was out before Jimi had even been seen here, so people were anticipating his performance, and he more than lived up to what we were expecting.” In fact, even before this legendary event sent nearly every star classic rock guitarist back to the woodshed, Jimi had arrived unannounced at the Regent Street Polytechnic, and asked to sit in and jam with Cream, where he proceeded to dethrone the reigning British guitar god, Eric Clapton.Īctually, it was Chandler who asked the band, and who also tried to prepare Clapton. He only exaggerates a little, by all accounts, and when Reid says “everybody,” he means everybody: Keith Richards, Mick Jagger, Brian Jones, Jeff Beck, Paul McCartney, The Who, Eric Burdon, John Mayall, and maybe Jimmy Page, though he denies it. Everybody was dumbstruck, completely in shock.” ![]() I could see everyone’s fillings falling out. ![]() As vocalist Terry Reid tells it, when Hendrix played his first showcase at the Bag O’Nails, arranged by Animals’ bassist Chas Chandler, “there were guitar players weeping. Highlights and surprises galore.Jimi Hendrix arrived on the London scene like a ton of bricks in 1966, smashing every British blues guitarist to pieces the instant they saw him play. “Gloria” features Hendrix creating his own great short story. The mix of “Third Stone from The Sun” finds Hendrix cracking up over the “space” chatter. Goode” or his own “Fire,” “Little Wing,” “Red House” or “Voodoo Child (Slight Return).” Early versions of “Room Full of Mirrors,” “Bold As Love” and “Little Wing” give insight into Hendrix’s development in the studio and show both his instrumental prowess and his sense of humor. The live material is always welcome, whether it’s Hendrix strolling through Bob Dylan’s “Like a Rolling Stone,” or “All Along the Watchtower,” Chuck Berry’s “Johnny B. Hits such as “Purple Haze” are slightly different mixes that better show Hendrix’s humorous side as he chuckles his way through the mix. The overdubs are removed from the mid-‘70s material and plenty of these often-bootlegged recordings are given the proper mix and attention. ![]() This massive collection, overseen by the Hendrix family and produced by Hendrix’s main producer and engineer Eddie Kramer, obviously contains plenty of highlights. ![]()
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